The Friends’ Art Exhibition is held in our Conservatory and showcases paintings, prints, textile art and sculptures from South London’s artist community.
The exhibition is a platform for new and established local artists, with all proceeds contribute to Horniman Museum and Gardens projects.
This year, we are talking to some of the artists involved in the exhibition to find out more about their work. Here, we speak to Peter Forder about his work in oil on canvas.
What is the story behind your artwork?
Bitterns: I was very excited to see bitterns at Minsmere in Suffolk. They are big birds (there is a stuffed one in the Horniman) and look rather odd, like primeval killing machines; they seem slow and heavy in flight. I’ve tried to suggest these things in the picture.
The fox and the moon: I wanted this to be quite an elemental picture: a wild animal out hunting, alone with the moon up in Space. I also like the way a gibbous moon seems to hang in the sky like an egg.
Allotment in June: I hope this picture, done at Grove Park, suggests the heavy lushness of a June afternoon on an allotment. Some people say not to use black in painting, but I use it like anything.
Spring flowers with quinces: I am inspired by the flower pieces of British painter Sir Cedric Morris (1889-1981), and I think this picture has something of a period feel. It contains tulips, narcissi, bluebells, cornflowers and woad.
Tulips with quinces and broccoli: I like the rich colours of tulips and the crazy shapes of the parrot ones. I grow them on the allotment - an easy early crop.
What inspires you in day-to-day life?
Gardens and allotments, wildlife and nature, paintings and ceramics.
Why do you think it is important to support local artists?
Arts are about people expressing themselves and hopefully touching a chord with others. This doesn’t have to be done in a grand gallery (though I like grand galleries too!).
I would like to see more people have original works of art on their walls - with the textures and brush strokes made by the artist - rather than mass reproductions. So they need to be able to see local work, and afford to buy it.
Finally, like most people, I live in the suburbs, and I suppose my pictures concern suburban things, which I think are neglected in favour of the urban, the rural and the maritime. So let’s fly the flag for art in the suburbs!