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Competition Time: Win two tickets to see The Jungle Book

We've teamed up with our partners Luna Cinema to give you the chance to win two free tickets to our screening of The Jungle Book in our Gardens on 6 August.

Simply respond to one of our competition posts on Facebook, Twitter, or Instagram, by 3 pm on Friday 28 July, telling us why you love the Horniman and we'll pick our favourite.

Mowgli's journey to the man-village to escape the Bengal tiger Shere Khan becomes an unforgettable adventure in the company of Bagheera the panther and Baloo the bear. 2017 is the 50th anniversary of this classic, song-filled Disney animation, so come and celebrate with us.

Terms and conditions apply:

This competition is only open to UK residents, excluding employees of THE HORNIMAN PUBLIC MUSEUM AND PUBLIC PARK TRUST or their families, agents or anyone else connected with this promotion. No third party entries, bulk entries or entries submitted by agents will be accepted. THE HORNIMAN PUBLIC MUSEUM AND PUBLIC PARK TRUST reserves the right to verify the eligibility of entrants. The Horniman may require such information as it considers reasonably necessary for the purpose of verifying the eligibility of an entry and the prize may be withheld until and unless the Horniman is satisfied with the verification.
Entrants must be over 18 and warrant such by entering this competition/prize draw.
Entries not complying with these terms and conditions will be invalid.
Entries received after the expiry date are invalid.
Winner(s) will be by notified via social media dependent upon the manner in which the competition/prize draw was entered. If the winner fails to respond by 12pm Monday 31 July, they shall forfeit the prize and a runner-up will be contacted.
The Horniman will not be responsible for any inability of a prize winner to take up the specified prize.
Cash or credit alternatives will not be offered. The prize is non-transferable.
In the event of fraud, abuse, and/or an error affecting the proper operation of this competition/prize draw, including the allocation of more prizes than are available, The Horniman reserves the right to end or suspend the competition/prize draw; amend these terms and conditions; declare void the notification of winner(s); and/or to allocate available prizes by conducting a simple draw from all wrongly allocated winners.
If any provision of these terms and conditions is held invalid by any law, rule, order or regulation of any government, or by the final determination of any court of a competent jurisdiction, such invalidity shall not affect the enforceability of any other provisions not held to be invalid.
THE HORNIMAN PUBLIC MUSEUM AND PUBLIC PARK TRUST reserves the right to suspend, cancel or amend the competition/prize draw and/or review and revise these terms and conditions at any time without giving prior notice and by continuing to take part in the promotion subsequent to any revision of these terms and conditions, entrants shall be deemed to have agreed to any such new or amended terms.
This competition/prize draw is governed by English Law and is subject to the exclusive jurisdiction of the English courts.

Goodbye Busy Bees

Our Busy Bees programme has ended for the summer but we hope you've enjoyed it as much as we have. Fear not, Busy Bees will return at 10, 10.45 and 11.30 on Tuesdays and Wednesdays, beginning on Tuesday 12 September, with more stories, objects, music and outdoor play. In the meantime, we hope to see you at some of our summer events.

During the school holidays, we run an exciting programme of events for families and children of all ages. Activities take place every day from Saturday 22nd July until Sunday 3rd September and full details can be found on the calendar on our website.

Some highlights from our summer programme include: 

Wednesday 26 July – Big Butterfly Count

Join Richard ‘Bugman’ Jones exploring our gardens and Nature Trail and take part in the nation’s Big Butterfly Count using spotter sheets and sweeper nets.

Wednesday 2 August – Horniman Favourites

Celebrate National Play Day by watching a traditional Punch & Judy Show and get up close to some live owls with JAMBS Owls.

Wednesday 9 August – Indian Summer  

Join us for the launch of our Big Wednesday Indian Summer programme, watch traditional Indian dance, find out how to drape a sari and listen to Indian folk tales.

  • Subrang Arts, Subrang Arts
    Subrang Arts

Farmers' Market Focus: Damaris Designs

Please introduce yourself…

My name is Damaris Copus and I am at the Horniman Farmers' Market as Damaris Designs.

What do you do at the Farmers’ Market?

I grow flowers, trees, fruit and vegetables, and make floral arrangements, wreaths and garlands, using both home-grown and foraged materials. I use pesticide free flowers, working with all the seasons and using natural forms as inspiration

  • Damaris Designs' Garden , Damaris Copus
    , Damaris Copus

Tell us about how you grow your produce?

I grow a lot of my materials in Polhill, Kent, in my woodland edge garden and on my large allotment. I live in Kent half the time, with my family and friends.

The garden is on a piece of land that had been used to park diggers while building the M25. As you can imagine, this left its mark and I have spent over ten years healing the land with massive amounts of homemade compost, manure from our chickens and leaf mould which we make in huge quantity.

I also have a small piece of land in mid-Wales, where our family has lived for nearly 30 years. I also use materials from here, and we mainly use the land for roses, willows, pines and many other trees.

Lastly, I often use flowers and foliage which has been grown by friends and family, or that grow in gardens that I maintain for customers. But strictly only those without pesticides, and only with owner’s permission.

  • Damaris Designs' Garden , Damaris Copus
    , Damaris Copus

When you aren’t at our Farmers’ Market, where can we find you?

I hold workshops teaching wreath-making, and summer workshops teaching floral head dress making. My busiest time is Christmas, making and selling wreaths and holding workshops, but I never have a very quiet time.

Sometimes I take to the road at fairs and festivals and sell woodcarvings made by my family and friends, chestnut arches, hazel plant supports and arts and crafts. I love to pick up interesting artisan objects on my travels, which I use to display plants and flowers, and I often have baskets or pots for sale, depending on where I have been camped and who I have met.

I sometimes design or maintain gardens for clients, and I will only accept work which falls in with my basic principles of natural (and sometimes wild) growing.

I work on my gardens and woods whenever I can; sometimes every day for a week but often just a few hours, 3 or 4 times a week. My garden style might best be described as relaxed and naturalistic, but this still involves a lot of work!

  • Damaris Designs' Garden , Damaris Copus
    , Damaris Copus

 

Why is being pesticide free important to you?

I work in a way that reflects my available time and my principles. Having worked on many farms over the years, I know that biodynamic and organic growing produces great results, but I don't align myself to their movements exclusively. In practice, this means that I would never use pesticide, industrially produced fertiliser or herbicides.

I have great results using only homemade fertilisers: comfrey and nettle juice used sparingly, for instance. I also recycle materials such as tyres to build beds, rather than buying new products. I try to garden in tune with the moon and I am very 'low impact' on my environment in terms of water use, as we collect and store rainwater to use. This careful use of water is in marked contrast to some conventional growers, who are heavy users of both natural and industrial resources.

I have always grown in this way, influenced by my mother who is a great believer in the importance of compost and is a defender of bees. We need insects to feed birds and poison will kill good and bad insects indiscriminately. We are all part of the same living system and I would love to leave a better and healthier world for my own and other children.

  • Damaris Designs' Garden , Damaris Copus
    , Damaris Copus

What does being part of the Horniman mean to you?

I am really thrilled to have the opportunity to trade at the Horniman. I visited the Museum and grounds a few years ago, and was very taken by it. The market is very friendly and the standard of the products available is high.

What do you enjoy doing away from the Farmers’ Market?

I make time to travel when I can and have just returned from a road trip to the flower meadows of the Apuseni Mountains, Romania. It was one of the most beautiful sights that I have ever seen.

On my return I was relieved to find that it had been raining in Kent, and my garden is full of fab blooms just waiting to be picked. Jim had sown the seeds that I left, so with luck I will have flowers for months to come.

  • Damaris Designs' Garden , Damaris Copus
    , Damaris Copus

About the Art: Linda Litchfield

The Friends’ Art Exhibition is held every year in our Conservatory and showcases paintings, prints, textile art and sculptures from South London’s artist community. 

The exhibition is a platform for new and established local artists and all proceeds contribute to Horniman Museum and Gardens projects.

This year, we are talking to some of the artists involved in the exhibition to find out more about their work. Here, we speak to textiles artist Linda Litchfield.

What is the story behind your artwork?

I like to work with slow processes, dyeing fabric and threads with plants and stitching by hand. I often incorporate found textiles which carry their own narrative of past use. The work grows and develops slowly in my own hands as I add to it.

What inspires you in day-to-day life?

Plants and the colour that can be extracted from and then used to dye fabric and thread. The feel of used and worn textiles. The slow accretion of texture that can be achieved with stitch. The organic, the ramshackle, the dilapidated, the incomplete.

  • Linda Litchfield, Linda Litchfield
    , Linda Litchfield

Why do you think it is important to support local artists?

Art enhances the quality and enjoyment of life of everyone. Artists devote their time to creating art. Local artists are part of your community and by living and working where they do, they improve your area. By supporting local artists, you are encouraging and assisting them to continue in practice and thus benefitting them, your community and yourself.

  • Linda Litchfield, Linda Litchfield
    , Linda Litchfield

About the Art: Peter Forder

The Friends’ Art Exhibition is held in our Conservatory and showcases paintings, prints, textile art and sculptures from South London’s artist community. 

The exhibition is a platform for new and established local artists, with all proceeds contribute to Horniman Museum and Gardens projects.

This year, we are talking to some of the artists involved in the exhibition to find out more about their work. Here, we speak to Peter Forder about his work in oil on canvas.

What is the story behind your artwork?

Bitterns: I was very excited to see bitterns at Minsmere in Suffolk. They are big birds (there is a stuffed one in the Horniman) and look rather odd, like primeval killing machines; they seem slow and heavy in flight. I’ve tried to suggest these things in the picture.

  • Peter Forder artwork, Peter Forder
    , Peter Forder

The fox and the moon: I wanted this to be quite an elemental picture: a wild animal out hunting, alone with the moon up in Space. I also like the way a gibbous moon seems to hang in the sky like an egg.

  • Peter Forder artwork, Peter Forder
    , Peter Forder

Allotment in June: I hope this picture, done at Grove Park, suggests the heavy lushness of a June afternoon on an allotment. Some people say not to use black in painting, but I use it like anything.

  • Peter Forder artwork, Peter Forder
    , Peter Forder

Spring flowers with quinces: I am inspired by the flower pieces of British painter Sir Cedric Morris (1889-1981), and I think this picture has something of a period feel. It contains tulips, narcissi, bluebells, cornflowers and woad.

  • Peter Forder artwork, Peter Forder
    , Peter Forder

Tulips with quinces and broccoli: I like the rich colours of tulips and the crazy shapes of the parrot ones. I grow them on the allotment - an easy early crop.

  • Peter Forder artwork, Peter Forder
    , Peter Forder

What inspires you in day-to-day life?

Gardens and allotments, wildlife and nature, paintings and ceramics.

Why do you think it is important to support local artists?

Arts are about people expressing themselves and hopefully touching a chord with others. This doesn’t have to be done in a grand gallery (though I like grand galleries too!).

I would like to see more people have original works of art on their walls - with the textures and brush strokes made by the artist - rather than mass reproductions. So they need to be able to see local work, and afford to buy it.

Finally, like most people, I live in the suburbs, and I suppose my pictures concern suburban things, which I think are neglected in favour of the urban, the rural and the maritime. So let’s fly the flag for art in the suburbs!

About the Art: Eleonor Rollen

The Friends’ Art Exhibition is held every year in our beautiful Conservatory. It showcases paintings, prints, textile art and sculptures from South London’s artist community.

The exhibition is a platform for new and established local artists. All proceeds contribute to Horniman Museum and Gardens projects.

This year, we are talking to some of the artists involved in the exhibition to find out more about their work. Here, we speak to textile artist Eleonor Rollen.

  • Eleonor Rollen, Eleonor Rollen
    , Eleonor Rollen

What's the story behind your work?

I enjoy creating artwork using hand embroidery. I am especially inspired by domestic architecture.

I paint the background fabric and use applique, added stitchery and foliage forms to give texture and an extra dimension to my work.

My work developed when I combined stitchery with handmade felt. Now I also experiment adding stitched to paper lamination.

  • Eleonor Rollen, Eleonor Rollen
    , Eleonor Rollen

What inspires you in day to day life?

I love to attend good art and textiles exhibitions and share ideas and knowledge with other textiles artists. I am also inspired by seeing flowers and trees blooming in parks and gardens. I enjoy travelling and my home country, Sweden, gives me inspiration.

  • Eleonor Rollen, Eleonor Rollen
    , Eleonor Rollen

Why do you think it is important to support local artists?

It is vital to support local artists to help them to develop their work. Recognition is important for their development. It is important to give them a platform to display and sell their art in the community.

  • Eleonor Rollen, Eleonor Rollen
    , Eleonor Rollen

You can see Eleonor's work in the Friends' Art Exhibition on 17-18 June.

Spring Welly Walk

This spring, a group of young explorers and their families walked the length of the Horniman Nature Trail.

They were accompanied by nature guide Shayna Soong and armed with binoculars and a Signs of Spring spotter sheet.

Only one of the families had visited the trail before, so this was a real walk on the wild side for most of the group.

The Horniman Nature Trail lies in an area that once formed part of the so-called Great North Wood. Other fragments of this wood are found in this area at One Tree Hill and Sydenham Hill Woods.

In 1865 a railway line was built to bring visitors to Crystal Palace. This was the London, Chatham and Dover line. Almost all trees and vegetation were cleared to make the railway. A railway bridge used to cross London Road here to the Lordship Lane station.

On our walk, we looked for historical clues and relics that remind us of its history as a railway line, such as the bumpy clinker underfoot.

We also looked for signs of spring. The challenge was to keep an eye out for blossom, flowers, birds and pond life and fill out a spotter sheet. Once the sheet had been filled out, they could shout out BINGO (but not too loud as to disturb the wildlife!).

We used a parabolic microphone to listen to birdsong which brought the lively chirping and tweeting so much closer.

A male newt from the pond was met with shrieks of delight as it showed off its breeding spots and crests. We also looked at the bat boxes and bird boxes along the route.

What will the Summer Welly Walk bring?  Come along on Saturday 8th July to find out!

We also have two exciting Bat Walks coming up, one for families on the 11 August and one for adults on the 18 August. Come with us to explore these exciting creatures. 

Stories of Ganesha

Dotted Line Theatre tell us about 'Stories of Ganesha', their storytelling performance happening on 5 April as part of our Big Wednesday

‘The show includes three stories about Ganesha, 'How he came to have the head of an elephant' and two others (I don't want to ruin the surprise about which ones they are). They are introduced by a storyteller guide and a surprise cheeky accomplice, who has his own agenda.

One of our challenges has been that there are many different versions of each story, and who's to say which version is the definitive one. So we've tried to balance presenting a clear narrative with providing some alternative details.

  • Stories of Ganesha, A sketch for part of the design.
    A sketch for part of the design.

The show is lyrical and visually beautiful and there is some comedy too. I took my inspiration from the stories themselves and thought about the best way of using visual language to present both the drama within the stories and the different layers of meaning.

We are using a fusion of styles, blending together some Classical Indian dance with shadow puppetry, rod puppetry and some object puppetry using objects from the Museum collection.’

  • Stories of Ganesha, A test of a shadow puppet for the show.
    A test of a shadow puppet for the show.

About Dotted Line Theatre

The performers are: dancer Maanasa Visweswaran, puppeteers Jum Faruq, Ajjaz Awad and Almudena Calvo Adalia.

Dotted Line Theatre was formed in 2012 by Rachel Warr, a theatre director, writer and puppeteer. Dotted Line Theatre create original pieces with a playful quality and a strong visual style. Rachel's work includes productions at The Barbican Centre, Little Angel Theatre, New Wolsey Theatre, Underbelly, and festivals in Prague, Berlin, France and Singapore. This will be our third production for the Horniman Museum and Gardens and we are delighted to be back.

A new full-length show!

Last summer we performed a piece called ‘Stories on a String’ at the Horniman as part of their Festival of Brasil.

The show was inspired by Brazilian Literatura de Cordel (literally translated as 'stories on string'). These are booklets with woodblock printed covers, sharing stories and news to the masses, sold at markets from carts. Literatura de Cordel are also an oral tradition performed through music and poetry. In our show, these wood block pictures came to life as puppets to tell the story of a young girl from the city on a quest for her grandmother through the Amazon forest. With music and song from Rachel Hayter (a composer/ musician who studied and specialises in music of Brazil) and the talented Camilo Menjura.

It was a 25-minute piece and we are going to be developing it into a full-length show that we can tour, for which we have some funding from the Arts Council England and some support in kind from the Little Angel Theatre. We are also fundraising to make up the rest of our financial target. See our Kickstarter campaign for more information.

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