Anthropology curator, Johanna Zetterstrom-Sharp, tells us about her research trip to Eko Market in Lagos, Nigeria.
‘In November 2016 I travelled to Lagos, Nigeria, to work with a talented photographer, Jide Odukoya.
Part of the Horniman’s new World Gallery will focus on Lagos – Nigeria’s largest city. We wanted to capture the vibrancy and energy of the markets on Lagos Island through photography and film.
Jide Odukoya in Eko Market
Lagos is without a doubt the most incredible city I have ever been to. It’s noisy, sticky, busy and frantic, but also exciting and beautiful. There is never a dull moment.
Clambering off the back of a motorbike on my first day, I looked up to see four enormous white concrete horses galloping over the podiums lining the entrance to Tafawa Belawa Square. The monument is named after the first Prime Minister of independent Nigeria who took over from British rule in 1960.
Tafawa Belawa Square
The square is also a major transport junction. From here you can pick-up another bike that takes you into the financial heart of the city.
Steel and glass high-rise office blocks owned by global banks tower over a vast network of street markets.
You soon realise that what may first appear as a chaotic throng of shoppers, buses, and market stalls is meticulously organised. Whether you need shoes, a new tablet, a watch, a blender, nappies, pineapples or a new pair of pants, there will be an area designated for it.
Eko Market - the place to find handbags, clothes, belts and shoes.
My favourite street was jam-packed with toy stalls and school stationary; squeaky children’s shoes, little neon plastic cars, and row-upon-row of Frozen backpacks.
We will try to recreate a stall from this street in the new gallery.
As I followed it up a hill, the street turned into a Lagosian winter wonderland – piles of bright tinsel and great bundles of colourful flashing lights, Christmas trees with fibre-optic pine-needles and mechanical Santas that sang Jingle Bells.
Jide chose to photograph and film Eko market – the place to buy handbags, sunglasses and clothes. His images capture the Lagos hustle.
A trader selling denim dungarees
Whether you want replica Prada sunglasses, leather belts, denim dungarees, or a crisp white shirt, you can find it here.
His photographs show a meticulously dressed shopper cast a discerning eye over bright patterned dresses and two women sharing a joke after a deal has been struck.
They are vivid and playful – both terms which we hope will be reflected in our exciting new gallery.
Two women share a joke
Eko market is the place to buy replica designer sunglasses
This trip was generously funded by an ICOM WIRP travel grant.’
Robin Strub, our Anthropology Volunteer, has been looking into the Horniman's collection of charms.
Have you ever wondered how the Horniman got its objects?
Who brought them here, and why?
I’m here to help answer some of those questions! I volunteer in Anthropology’s collection of English charms and amulets, which has a lot of pieces from a man named Alfred William Rowlett.
He came from the Cambridgeshire town of St Neots and, between 1904 and 1933, he sold the Horniman dozens of items that he had found as part of his town’s rural culture.
What do you think of when you look at the objects in the Horniman’s cases? What do you imagine of the people who collected them?
Do you think of a Victorian, professorial man with a tweed jacket and pipe?
How about a Victorian dustman with a bin and broom?
From St. Neots The History of a Huntingdonshire Town, 1978
This picture is of Rowlett, who worked as a Dustman for the local government. Bert Goodwin, a historian and local of St Neots, remembers Rowlett, and wrote about him for the St Neots Local History Magazine’s 2011-12 winter edition, including this picture of Rowlett and his dustbin making his rounds.
When looking up Rowlett in the 1881 Census I found he was in work as a labourer by the time he was 13. He went on to become a businessman, as well as a Dustman, with an antiques shop, and worked with the Horniman in a professional capacity. He even had his own official stationery that he used to write letters and invoices to the Horniman! Here is how his letterhead looked:
We don’t know how Rowlett started working with the Horniman but as a local, he had specialist knowledge and access to his community. This was undoubtedly part of the benefit of the Horniman doing business with him. In a letter dated 6 May 1907, Rowlett noted that ‘my business is to find out and get all the necessary information I can get’ on objects destined for the Museum.
His research is still important for the Horniman, as the things we know about the objects he sourced came via his connections. The information would otherwise have been lost without his detailed descriptors.
Here is what he wrote about a ‘Spinning Jenny’ (object number 7.199) as an example, with a transcription beneath.
used at Easton Socon, Beds for Raffling oranges sweets & home made cakes at Holiday times & festivals with an original charm against the children in getting to high a number so as to benefit the owner of Spinning Jenny
used by Mrs Newton at home and village feasts in & Round Bedfordshire Cambs & Hunts
1856 half penny a spin
This is how the Spinning Jenny works:
You can see a piece of orange flint tied to the device - that’s the charm.
We know what that flint was for thanks to Rowlett, as well as precise details about how the Spinning Jenny is used. (I thought the owner would’ve been caught out by cheating, but my Curator figured out that if you keep the stone against your palm and hold out the Spinning Jenny, nobody can see that you have it in your hand!)
Rowlett would also make handwritten labels for artefacts that were entering the collection, and many of his labels are still stored with the objects. This is an example for number 9.41 in our collection, a wood pigeon’s foot that was used to ward off cramp.
A lot of the charms that Rowlett brought us are things from the natural world that people associated with various curative powers.
It may seem strange today, but the idea was that wood pigeons never get foot cramps. If I carry a wood pigeon’s foot, maybe that will protect me too. If you have ever heard of someone carrying a lucky rabbit’s foot, it’s not too far a leap from practices today.
Rowlett’s community of St Neots still remembers him as someone to go to for these kinds of all-natural remedies for health problems.
Local historian Rosa Young transcribed several adverts from a 1900 issue of a local paper for the St Neots Local History Magazine’s, which included an old advert that Rowlett had put in the paper for his own special patent medicine. It cured everything (naturally) but Rowlett’s neighbours did come to him seeking his medical expertise.
Bert Goodwin, the local historian who photographed Rowlett, recounts that when he was a child he had a wart on his knee cured by Rowlett,
He cut a small twig from a bush which he called ‘Joseph’s Thorn’, which he shaped into a spatula, and then made his mark on the wart X. “There,” he said, “it will be gone by the next full moon.” Strangely enough, I forgot about it, but when I next looked it had gone.
Because of Rowlett’s work at St Neots, the local historical society put up a Blue Plaque for him.
Thanks to Eatons Community Association
Like the wood pigeon’s foot above, many of the objects that Rowlett brought to the Horniman were considered to have health benefits. The charms I’m studying were used by real people who believed in them, and used them to solve a variety of different problems. Ironically, Rowlett – with his Joseph’s Thorn for curing warts – thought that some of the charms’ owners were ‘eccentric’!
I don’t know about you, but I have lucky charms. Millions of people all over the world believe in the power of objects and in 2018, the Horniman will open a new gallery where you will be able to find charms from all around the world, including those collected by Rowlett!
If you’d like to see what Rowlett brought to the Horniman, and 2018 is too long to wait, you can find all of Rowlett’s objects online.
Did you know we are doing ground-breaking coral research behind-the-scenes? Our Aquarium Curator, Jamie Craggs, tells us about the threat to coral reefs around the world and how we are working to solve it.
‘Coral reefs are incredibly diverse habitats. One square metre of coral reef contains as many different types of animals (genera) as a whole hectare of Amazon rainforest.
They also support millions of people through food security, coastal protection and income through tourism.
But coral reefs are under threat. Human activities like pollution, overfishing and climate change mean we are losing coral reefs at an alarming rate.
How do we stop this?
The only way to understand how to recover the coral reefs is to understand coral reproduction. We need to look at the way reefs naturally rebuild themselves, so that we can help the process.
In their natural habitat, most corals reproduce over one or two nights a year during a mass spawning event. All coral in one area spawn at once and the event is dependent on the right climatic conditions, temperature and phases of the moon.
But once or twice a year is a very short time to study coral reproduction!
That’s where Project Coral comes in.
What is Project Coral?
Project Coral is a research project looking at coral reproduction led by the Horniman Museum and Gardens along with international partners. The main aims of Project Coral are:
1. To understand reproduction. Coral have occasionally spawned in aquariums, but it has always been accidental. By understanding what makes coral tick in the wild, we have created a research system which mimics their natural environment. This allowed us to produce the first planned spawning event in an aquarium in 2013. We are now developing protocols so that corals can be spawned at different times of the year.
2. To share our knowledge. If the research community has access to the same set up as ours then we could potentially be looking at far more spawning events every year then we currently have. This would give us more chance to study how coral reproduction will be affected by future ocean conditions as a result of climate change.
3. To help restore the coral reefs. Once we have more opportunity to study coral we, along with the international scientific community, will have more of a chance to produce baby coral which can be used to reseed dying reefs.
4. To supplement the hobby trade. If we get to a point where we can produce baby coral, we might also be able to produce them for the aquarium trade, a practise that will provide alternative sustainable income for people that rely on coral reefs.’