We spoke to Lucien Harris as part of our blog series looking at the work of photographers featured in our British Wildlife Photography Awards exhibition.
Can you tell us the story behind your photo in this exhibition?
I was walking through a field in Cornwall and I spotted a dead tree. I noticed there were tiny boreholes all over it and wondered what had made them. After a while, I noticed a tiny wasp land and crawl inside. Luckily, I had my camera with me and I thought I'd wait for it to re-emerge so I could get a clear photo of its face. After a while it did and it just sat looking at me for just enough time to get the shot.
'Wasp You Looking At?' which appears in the 'Hidden Britain' category of this year's British Wildlife Photography Awards, Lucien Harris
How did you go about getting that shot?
I didn’t have a tripod so I used twin flashes with diffusers I made in order to light up the scene.
How long did you have to wait for this shot?
I waited around 20 minutes.
Did you use any particular equipment or software?
I used a 105mm macro lens with a 1.4 teleconverter and two twin flashes with homemade light diffusers.
What are your favourite scenes, species, or motivations behind your photographs?
I love capturing the unseen as there are so many minibeasts that not many people get the chance to see.
What are the difficulties of wildlife and nature photography that you face?
Timing and weather, especially the wind. A slight breeze can turn a good shot into a blurry mess very quickly.
What would you like people to think about when they see your work?
About the diversity of British wildlife and how we can keep it all safe for future generations.
How long have you been a photographer and how did you get started?
I've been a photographer for 10 years. I started off shooting photos of skateboarding but when I went travelling I noticed all the amazing wildlife and really wanted to capture it for memories when I got home.
What would you advise someone wanting to start taking photos of wildlife or nature in their local environment?
It doesn’t matter about equipment. Just be patient and concentrate on the composure of the photograph
What projects are you working on now or have coming up?
I'm working on a calendar of British bugs which involves local illustrators as well.