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Horniman Early Keyboard Competition 2020

Entries are now open for the Horniman Early Keyboard Competition to be held from 28 April to 1 May 2020. The instruments to be used for the competition are the Adam Beyer square piano, London, 1777 and Onofrio Guarracino virginals, Naples, 1668.

The competition is open to performers who will be under the age of 36 on 1 May 2020. Two rounds will be held on consecutive days and up to five people will go forward to the second round. Awards will include a cash prize of £200, an audience prize, and recitals at UK venues.

Update: Additional prize money offered by piano-makers John Broadwood and Sons.Three enhanced cash prizes will now be awarded at the Horniman Early Keyboard Competition through the generosity of John Broadwood and Sons.

The awards will now be:

  • First Prize: £500
  • Runner-up: £200
  • Audience Choice: £100

This money is being donated to encourage young players, and in recognition of the long association of this Competition with the former Broadwood Trust.​ 

In addition to the two rounds of the competition, there will be special masterclasses and a Maestros’ concert by the three adjudicators.

Entry fee for competitors: £30. Entry includes free admission to the two masterclasses and Maestros’ concert.

How to enter: Fill in the Application Form with the required information. Remember to consult the repertoire list below.

A link to payment to secure your place in the competition will be provided once all information has been processed.

Places will be allocated on a first-come, first-served basis. We can accommodate up to 15 players. Closing date: 15 November 2019. The masterclasses are now fully booked for playing participants. If you wish to be added to the waiting list, should a space become available, please contact Beatrice Booker. Auditors are welcome.



Competition Rules:

Conditions of performing

Due to the rarity, age and sensitive condition of the instruments, all performers must have had previous experience playing historic keyboards and must also be willing to attend in advance an introduction to the instruments with Mimi Waitzman, Deputy Keeper of Musical Instruments. This induction is required only once. Permission to play the instruments is at the sole discretion of the Horniman Museum.

Inductions will be held on Monday 27 April 2020 from 2pm till 5pm or by special arrangement further in advance. Contact Beatrice Booker to arrange an induction.

Masterclass Information

Masterclasses will take place on two afternoons. On Tuesday 28 April Marcia Hadjimarkos will give the early piano class; and on Wednesday 29 April Catalina Vicens will give the virginals class. Any competitor wishing to participate in one or both of the masterclass(es) must, nevertheless, apply separately as players’ places will be limited. Players may not perform their competition repertoire for the masterclass(es). Places will be allocated on a first-come, first-served basis.  
Email Lorraine Liyanage to register.


Guarracino Virginals (1668) and Beyer Square Piano (1777)

Instruments’ Technical Specifications

  • Guarracino Virginals 1668, Guarracino Virginals,1668
    Guarracino Virginals,1668

  • Beyer Square Piano, 1777, Beyer Square Piano, 1777, Horniman Museum and Gardens
    Beyer Square Piano, 1777, Horniman Museum and Gardens


Performers will be required to perform from a list of repertoire as follows:

Thursday 30 April
Round One 15 minutes of music

Virginals: 7 to 8 minutes of music made up of selections from the following:
JJ Froberger: a toccata plus a suite from the first book (1649).
G Frescobaldi: a toccata from the first book (edition of 1637 (1st edition 1615)) plus a balletto, corrente and ciaccona or passacaglia.
Alessandro Scarlatti: any toccata plus various compositions 

Square piano: 7 to 8 minutes of music made up of selections from the following:
JC Bach: a sonata including at least two contrasting movements.
Domenico Scarlatti: a pair of contrasting sonatas.
Maria Hester Park: a sonata including at least two contrasting movements.

Friday 1 May
Round Two 25 minutes of music

Virginals: 12 to 13 minutes of music made up of selections from the following:
Any toccata, canzona or ricercare by GM Trabaci or M Rossi.
G Frescobaldi: a set of Partite.
G Frescobaldi: a toccata from the second book (1637).
JJ Froberger: a capriccio or ricercar from 1656 or 1658, plus a suite from the book of 1656.

Square piano: 12 to 13 minutes of music from the following:
J Haydn: a sonata including at least two contrasting movements.
WA Mozart: a sonata including at least two contrasting movements.
JL Dussek: a sonata including at least two contrasting movements.
Marianna von Martinez: a sonata including at least two contrasting movements.


In The Company Of Finchcocks - Chamber Organ Masterclass with Stephen Farr

Don’t miss this rare opportunity to take part in a Chamber Organ Masterclass with the widely esteemed Stephen Farr.

  • View of Organ , English chamber organ (c.1800, possibly by Joseph Beloudy)
    English chamber organ (c.1800, possibly by Joseph Beloudy)

We would like to invite up to six organists and early keyboard musicians to apply for the Chamber Organ Masterclass at the Horniman on Thursday 12 September 2019, 2pm-5pm.

Stephen Farr will focus on historically informed performance practice and will guide players through appropriate techniques and interpretation using their chosen repertoire. All players will receive tuition on the Finchcocks English chamber organ (c.1800, possibly by Joseph Beloudy) now restored to playing condition. It retains its original pedal-bellows.

Prospective players are encouraged to apply early, as places will be allocated on a first-come, first-served basis. Auditors (most suitable for ages 12 and over) are also welcome and may attend free any time during the afternoon.

If you wish to play in the Masterclass please complete a Player Application Form and return it to Beatrice Booker: bbooker@horniman.ac.uk.

Once your place is offered, you will be required to secure it within two working days by paying the £20 registration fee. After two days, non-secured places will be offered to the next applicant. Full payment details will be provided on receipt of the application form.

Please note:

  • Permission to play the organ is at the sole discretion of the Horniman.
  • Practice time can be allocated on request.
  • The full specification for the instrument is available.

  • full length view of organ. , English chamber organ (c.1800, possibly by Joseph Beloudy)
    English chamber organ (c.1800, possibly by Joseph Beloudy)

About Stephen Farr

Stephen Farr’s performing career has taken him throughout Europe, North and South America, and to Australia. He has held appointments at Christ Church, Oxford, and Winchester and Guildford Cathedrals before pursuing a freelance career as a soloist and continuo player.

Farr’s extensive solo discography encompasses music from the 16th to the 21st century and he has played with many of the world’s leading ensembles, and appeared in major venues. His numerous appearances at the BBC Proms include a solo recital in the 2011 season and a concerto in the 2015 season.

Farr is the Director of Music at St Paul’s Church in Knightsbridge, and teaches organ at both Oxford and Cambridge Universities.  He was Organ Scholar of Clare College, Cambridge, obtaining a double first in Music and an MPhil in Musicology; he also completed a PhD on the organ and harpsichord works of Judith Bingham.


#WomenInCulture - Our heroes

Cultural institutions across the world are gathering for Museum Week 2019 this May, with seven themes across seven days starting 13 May. This year’s overall theme is #WomenInCulture, so we asked our female staff and volunteers to nominate their super sheroes and let us know why they are an inspiration.

Ada Lovelace – Nominated by Beth Inkpen, Memberships Officer

  • Portait of Ada Lovelace , Portait of Ada Lovelace , Wikicommons
    Portait of Ada Lovelace , Wikicommons

Ada was born in 1815 in London to famed poet Lord Byron and Lady Anne Isabella Milbanke Byron. Her Father left just weeks after her birth and her mother, who did not want her to be a temperamental poet like her Father, insisted she learn mathematics and science from a young age. 

Around the age of 17, Ada met Charles Babbage, a mathematician and inventor. She was intrigued by Babbage’s plans for a device he called the Analytical Engine, which was never built, but contained all of the design elements of a modern computer. She was later asked to translate an article on the device, which she did, adding in a vast amount of her own thoughts and sketching out elaborate programmes. For this work, she is known as “the first computer programmer.”

Ada’s work attracted little attention throughout her life and until it became one of the critical documents to inspire Alan Turing’s work on the first modern computers in the 1940s. Since then, Ada has received many posthumous honours for her work. Her unrealised potential, and her passion and vision for technology have made her a powerful symbol for modern women in technology.

Agatha Christie – Nominated by Harriet Anscombe, Events Co-ordinator

  • Portrait of Agatha Christie, Agatha Christie
    Agatha Christie

Agatha Christie was a writer extraordinaire who taught herself to read age five. She is the world’s bestselling author of all time (alongside Shakespeare), and was an intrepid traveller and one of the first British women to learn to surf standing up.

As a child, long before true crime became on trend, I scoured the local library and charity shops to read every single yellow paged Agatha Christie story I could get hold of. Agatha Christie is particularly known for her fictional characters Hercule Poirot and Miss Marple (another female hero – who else do you know who can solve murders beyond the capability of all of Scotland Yard, and take down dangerous criminals all whilst knitting a fair isle jumper?).

I started off with the novels set in England – in smoky smoggy London, the leafy English countryside, glamorous country manor estates, and then moved on to Poirot’s travels abroad -  the thrilling adventures to unknown lands. Through Egypt along the Nile and via Istanbul on the Orient Express places I had never been. It was through these stories that she ignited my little feet’s first itches to travel the world.

Agatha has produced 66 detective novels, 14 short story collections and the world’s longest running play. Her books have sold over a billion copies in the English Language and over a billion in translation.

Zaha Hadid - Nominated by Cookie Rameder, Visitor Experience Manager

  • Portrait of Zaha Hadid, Zaha Hadid, Wikicommons
    Zaha Hadid, Wikicommons

Dame Zaha Mohammad Hadid DBE RA was the first female architect to receive the Pritzker Architecture Prize, in 2004. In 2015, she became the first and only woman to be awarded the Royal Gold Medal from the Royal Institute of British Architects.

Zaha was so powerful and visionary, she was described as 'a planet in her own orbit', by artist Valie Export for the courage of giving patriarchy a shock, and by poet Maya Angelou for understanding that, "people will forget what you said, people will forget what you did, but people will never forget how you made them feel."

Zaha was made a dame by the Queen for her services to architecture.

Rosalind Franklin - Nominated by Fiona Kerlogue, Anthropologist

  • Portrait of Rosalind Franklin, Rosalind Franklin , Wikicommons
    Rosalind Franklin , Wikicommons

Rosalind Franklin was an English Chemist and X-ray crystallographer, known for her work in discovering the structure of DNA.  

For her contribution, she should have been awarded a Nobel Prize, however, her work was only recognised after her passing in 1958. The Nobel Prize for her part in the work was awarded later to Francis Crick, James Watson, and Maurice Wilkins in 1962.

Nanny of the Maroons – Nominated by Racheal Minott, Anthropology Curator (Social Practice)

  • Nanny of the Maroons sculpture , Nanny of the Marrons, Reading Museum,  Rachael Minott, 2013
    Nanny of the Marrons, Reading Museum,  Rachael Minott, 2013

  • Nanny of the Marrons sculpture , Nanny of the Maroons, Reading Museum
, Rachael Minott, 2013
    Nanny of the Maroons, Reading Museum , Rachael Minott, 2013

My personal hero would be Nanny of the Maroons, a National hero of Jamaica.

Although people are not sure if she was one person or a union of many Asante (female leaders with the title Nanny), she has become symbolic of resistance against repression and the undermining of the regime of enslavement in Jamaica.

Nanny of the Maroons is seen as a maternal and spiritual figure with supernatural powers (catching bullets in her buttocks and firing them back at colonial solders) but she is first and foremost, a spiritual (Obeah) figure, and a leader of the Moore Town Maroons.

In the western part of Jamaica, Nanny Town is named for her. She is believed to have been born in the 1600 and to have died around 1740, and was thought to have been born in what is today Ghana before being transported to Jamaica as a part of the Transatlantic Slave Trade. She escaped slaver and came to be one of the Windward Marron leaders of Jamaica.

While she is referenced in multiple colonial sources, referring to the Maroon Wars and the associated treaties with the British, there are no images of Nanny, and the record of her life are disputed.

However, as an artist, I took inspiration from Nanny and made a sculpture to represent her to try and capture the essence of the figure described in the multiple imaginings of her life. Strong and powerful, inspirational and nationally important to a Jamaican communal identity.

Caroline Norton – Nominated by Connie Churcher – Digital Manager

  • Watercolour of Caroline Norton , Watercolour sketch of Caroline Norton by Emma Fergusson 1860, National Portrait Gallery of Scotland, Stephencdickson
    Watercolour sketch of Caroline Norton by Emma Fergusson 1860, National Portrait Gallery of Scotland, Stephencdickson

My hero is Caroline Norton, the English social reformer and author, who had a personal struggle which we still legally feel the effects of today.

Caroline married a man who sounds awful. George Norton was an aggressive drunk, who abused Caroline and unsurprisingly she left him (which she was fortunate enough to be able to do).

Unfortunately, once a woman married her legal rights were subsumed by those of her husband. She was unable to support herself, despite being a popular author, as he was legally entitled to all her money, any furniture or property she owned (which she fought against by running up bills in her husband’s name). George abducted their sons and she had no right to see them, as they counted as George’s legal property. He also could block her ability to divorce him, as she was a legal non-entity.

After the death of her youngest following George’s neglect, she campaigned to change the law and subsequently Parliament passed the Custody of Infants Act 1839, the Matrimonial Causes Act 1857. The Married Women's Property Act in 1870 granted a legal separate identity for the first time in the UK.

Despite all this, Caroline had no interest in women’s suffrage (insert shocked face here), but I have to give her credit for winning rights which granted great freedoms further down the road.


Who are the women in culture you would like to share? Join in with the conversation on Twitter using the Hashtags #Horniman, #WomenInCulture and #MuseumWeek

New year, new resolutions

It’s a brand new year and usually, that means we say goodbye to our old ways and give ourselves new goals to aspire to. Setting New Year’s resolutions is a tradition around the world, so what resolutions have you made? To give you some ideas, we have rounded up some resolutions to help you get your year off to a great start. 

Be more active


You may not want to sweat out in the gym and purchase that expensive gym membership. So how about a run, walk or even a stroll in our Gardens?

Apart from the health benefits from exercise, a walk in our Gardens is free and, no matter the season, there are always new blooms of life flourishing across our 16 acres of land. Have a play in the interactive sound garden, walk your dogs or discover quiet corners for contemplation.

There are also proven mental health benefits to spending time in nature, helping to alleviate stress and anxiety. So discover what our gardeners and curators have developed outdoors, to coincide with the Museum’s collections.

Read a few more books

Did you know that every 1st Sunday of the month our library opens its doors to the public without any need for an appointment? The collection contains books covering anthropology to illustrated monographs and now has over 30,000 volumes.

The library is also staffed on Mondays and Tuesdays, and open to researchers on these days by appointment (please email enquiry@horniman.ac.uk).

Or, if you want to read more with your children, you can find books on our Natural History Gallery Balcony and a reading corner on our World Gallery Balcony.

Spend more time with family and friends

The Horniman offers many free activities, whether you are visiting alone, with a friend or with family.

From photographic displays on our World Gallery Balcony to our permanent collections there is always something to see and to think about.

In the Hands on Base, you can get closer to artefacts and objects. Whether you are interested in Mexican masks or want to learn more about endangered animals, who knows what you will discover in our free object-handling sessions.

Culture has a positive impact on wellness, so making some time for yourself in places like the Horniman, really can help you feel better.

View our Whats On calendar to see current and upcoming events and exhibitions.

Give something back to your community

  • Youth Panel , Balistic
    , Balistic

Volunteering gives an opportunity to give back to your local community, which has social benefits for groups like the over 40s.

Keep an eye on our website for ways to get involved or follow us on LinkedIn to hear about new opportunities.

If you’re aged between 14 and 19 and are interested in making a difference at the Horniman, why don’t you join the Horniman Youth Panel?

Refugee Week is turning 20

Refugee Week is turning 20 and at the Horniman we're celebrating

Every year on the 20 June, people around the world celebrate World Refugee Day with a whole week of events meant to recognise the positive contributions of refugees and asylum seekers to our societies.

In the UK, Refugee Week is a nationwide programme of arts, cultural and educational events that celebrate the contribution of refugees to the UK and encourages a better understanding between communities. 

At the Horniman, we have a long tradition of working with refugee groups, schools, and our visitors to raise awareness about the problems facing refugees and this year is no different. On the 20 June, to mark the celebration World Refugee Day our volunteers will encourage general visitors to join the national Make Simple Acts campaign to help change the way we see refugees, and ourselves.

Throughout the week school groups in our education centre we will also be shown "Exile in Colour", an exhibition of drawings and paintings produced by adults and children during therapeutic art sessions at Southwark Day Centre for Asylum Seekers and Barry House, a local hostel for asylum seekers and refugees, and "Where Do I Come From?", a patchwork tapestry created by visitors during our annual Crossing Borders event in March, a full day of workshops and art and craft activities delivered by local refugee organisations.

Free talks: Welcome to the Horniman

Join one of our Visitor Hosts for a short introduction to the Horniman. Great for first-time visitors, or as a general overview if you haven’t been to visit for a while.

These short talks are suitable for everyone and will help you get the most out of your visit.

Talks take place weekly, and you can meet by the Ticket Desk at the following times:

  • Wednesdays, 4pm
  • Saturdays, 4pm
  • Sundays, 11am

Booking information

The talks are free, but are on a first come, first served basis with a maximum of 10 visitors per tour.

If you would like to bring a group, please contact us on 020 8699 1872 x 183.

International Year of the Reef

We are celebrating International Year of the Reef at the Horniman, with a programme of activities throughout 2018.

As the Horniman is home to an acclaimed Aquarium and our Project Coral research, we want to celebrate the beauty and diversity of coral reefs. The programme includes a blog series, displays, talks and special events. We want to highlight the value of these reefs to marine life and to humans, the threats to these fragile ecosystems and the vital work done to preserve them.

What is International Year of the Reef?

2018 is the third International Year of the Reef. Did you know that coral reefs are one the most biological diverse habitats on earth? They take up less than 0.1% of the oceans floor they are home to 25% of all marine life.

But 60% of the world’s coral reefs may die within the next 20 years.

The International Year of the Reef seeks to change that by:

  • Raising awareness about the value of, and threats to, coral reefs and their ecosystems;
  • Sharing information on how to sustain coral reefs;
  • Managing conservation, increase resiliency and the sustainability of these ecosystems; and
  • Promoting partnerships on the management of coral reefs.

What can you expect?

Visit the live corals in the Aquarium

Most of our visitors will know we have an Aquarium at the Horniman. You can visit several different reef tanks to explore the corals themselves and the creatures who live in and among them.

See Karen Dodd’s Fabric of the Reef display

Inspired by the Horniman's Aquarium and Natural History collection, artist Karen Dodd uses woollen fabric – dyed and sculpted, and intricately bound and stitched – to draw attention to coral and coral reefs. Her work celebrates their beauty and raises awareness of coral vulnerability in the face of increasing environmental change.

Have a Reef Encounter

Meet some of the people who live or work with coral reefs around the world. Learn who they are, and find out why these Reef Encounters are so vital to the future survival of coral reefs, in this blog series running throughout 2018.

Read the research

Our Aquarium Team has also published their research about inducing coral spawning. Read the research online.

Part of

Storytelling at the Horniman

Debbie from Small Tales Storytelling Clubs reflects upon her experience sharing stories from across India at the Horniman Indian Summer Garden party.

The day dawned bright and sunny over London and over India.  I was looking forward to the storytelling sessions, as today I was performing with four of my young storytellers from Small Tales Storytelling Clubs at the opening of the Horniman Museum’s Indian Summer Festival. The group consisted of Emily, Eve, Joe and Rose beside myself, Debbie.  We were going to tell stories from different parts of India, as well as doing both hand dancing and Bollywood dancing with our audience. 

The sessions began with a hand dance that helps hand-eye coordination and got more difficult as the dance went on.  There was much laughter as the adults tried as hard as the children to make shapes of birds, flowers, trees, and water. Then I introduced the storyteller who was going to tell the next story.  The first young storyteller was Rose, who told the story of a man who wanted a horse and could not afford it, so a wily stallholder sold him a horse egg. This was followed by Eve and myself telling the story of a King who loved his baths yet always ended up with dirty feet.  He was responsible for the first shoes being created. The next story was told by Emily and Joe, about a Topi Wallah (hat seller) who pits his wisdom against the monkeys in the forest and ends with understanding the true meaning of stories. The audience really got into the swing of being either the Topi Wallah or the monkeys, with most choosing the latter. Needless to say, our stories had unexpected endings and brought forth laughter and nodding of heads in agreement.

Finally, I told the story which was told to me when my mother wrapped my first sari around me.  It is the story of a weaver who marries the woman of his dreams and ends with creating the very first sari, which she wore on their wedding day.  We are told this story so that we realise the importance of following our dreams and the possibility of them coming true. Whilst I told the story, I wrapped a beautiful golden sari on a volunteer from the audience.  The moment that last piece was laid over the shoulder, there was a gasp from the audience as it goes from a long piece of cloth to an amazing piece of clothing.  Then I showed the audience some simple Bollywood dance moves and we ended with us all dancing.

Our young storytellers had only positive things to say about the experience.

“Performing at the museum was very interesting as I got to tell stories to people of all ages and it was a wonderful experience. My partner, Joe and I told an Indian story, the Topi Wallah. We used audience participation to include everyone and it was an amazing opportunity. During the performance, we danced with the audience, which I especially enjoyed”.  Emily (14)

“We all had a fantastic time performing at the Horniman. The audiences were very engaged and seemed to love our stories! The surroundings were very interesting, especially in the room with all the masks. The staff were also amazing and looked after us so well. Thank you to the Horniman for having us, we would love to come again”.  Eve (11)

“Getting to tell the story of the Topi Wallah was an amazing experience. We were treated very professionally and were given a great venue to perform in. The atmosphere during the performance and the dancing afterward were very pleasant and overall a joy to be a part of”.  Joe (14)

My memory of the day was that the stories flowed; the young storytellers enthralled the audience who laughed and danced with us.  As for me, I left with the joy induced by the people, both young and old, who had taken the time to come and listen. 

Competition Time: Win two tickets to see The Jungle Book

We've teamed up with our partners Luna Cinema to give you the chance to win two free tickets to our screening of The Jungle Book in our Gardens on 6 August.

Simply respond to one of our competition posts on Facebook, Twitter, or Instagram, by 3 pm on Friday 28 July, telling us why you love the Horniman and we'll pick our favourite.

Mowgli's journey to the man-village to escape the Bengal tiger Shere Khan becomes an unforgettable adventure in the company of Bagheera the panther and Baloo the bear. 2017 is the 50th anniversary of this classic, song-filled Disney animation, so come and celebrate with us.

Terms and conditions apply:

This competition is only open to UK residents, excluding employees of THE HORNIMAN PUBLIC MUSEUM AND PUBLIC PARK TRUST or their families, agents or anyone else connected with this promotion. No third party entries, bulk entries or entries submitted by agents will be accepted. THE HORNIMAN PUBLIC MUSEUM AND PUBLIC PARK TRUST reserves the right to verify the eligibility of entrants. The Horniman may require such information as it considers reasonably necessary for the purpose of verifying the eligibility of an entry and the prize may be withheld until and unless the Horniman is satisfied with the verification.
Entrants must be over 18 and warrant such by entering this competition/prize draw.
Entries not complying with these terms and conditions will be invalid.
Entries received after the expiry date are invalid.
Winner(s) will be by notified via social media dependent upon the manner in which the competition/prize draw was entered. If the winner fails to respond by 12pm Monday 31 July, they shall forfeit the prize and a runner-up will be contacted.
The Horniman will not be responsible for any inability of a prize winner to take up the specified prize.
Cash or credit alternatives will not be offered. The prize is non-transferable.
In the event of fraud, abuse, and/or an error affecting the proper operation of this competition/prize draw, including the allocation of more prizes than are available, The Horniman reserves the right to end or suspend the competition/prize draw; amend these terms and conditions; declare void the notification of winner(s); and/or to allocate available prizes by conducting a simple draw from all wrongly allocated winners.
If any provision of these terms and conditions is held invalid by any law, rule, order or regulation of any government, or by the final determination of any court of a competent jurisdiction, such invalidity shall not affect the enforceability of any other provisions not held to be invalid.
THE HORNIMAN PUBLIC MUSEUM AND PUBLIC PARK TRUST reserves the right to suspend, cancel or amend the competition/prize draw and/or review and revise these terms and conditions at any time without giving prior notice and by continuing to take part in the promotion subsequent to any revision of these terms and conditions, entrants shall be deemed to have agreed to any such new or amended terms.
This competition/prize draw is governed by English Law and is subject to the exclusive jurisdiction of the English courts.

Goodbye Busy Bees

Our Busy Bees programme has ended for the summer but we hope you've enjoyed it as much as we have. Fear not, Busy Bees will return at 10, 10.45 and 11.30 on Tuesdays and Wednesdays, beginning on Tuesday 12 September, with more stories, objects, music and outdoor play. In the meantime, we hope to see you at some of our summer events.

During the school holidays, we run an exciting programme of events for families and children of all ages. Activities take place every day from Saturday 22nd July until Sunday 3rd September and full details can be found on the calendar on our website.

Some highlights from our summer programme include: 

Wednesday 26 July – Big Butterfly Count

Join Richard ‘Bugman’ Jones exploring our gardens and Nature Trail and take part in the nation’s Big Butterfly Count using spotter sheets and sweeper nets.

Wednesday 2 August – Horniman Favourites

Celebrate National Play Day by watching a traditional Punch & Judy Show and get up close to some live owls with JAMBS Owls.

Wednesday 9 August – Indian Summer  

Join us for the launch of our Big Wednesday Indian Summer programme, watch traditional Indian dance, find out how to drape a sari and listen to Indian folk tales.

  • Subrang Arts, Subrang Arts
    Subrang Arts

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