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Exploring Colour with Jaz

Our Gardens volunteer and Horniman Youth Panel member Jaz has let us know what he enjoys the most about our exhibition Colour: The Rainbow Revealed and he hopes you'll enjoy it too.

In July 2017 I started my Bronze Arts Award when I volunteered with Chocolate Films taking photographs of museum visitors during filming for the Wall of Voices in our new World Gallery.

Recently, I visited the Colour exhibition with the Horniman Youth Panel. I played the games, tried on the camouflage costumes, and sat in the Mood Room with my shoes off. I am sharing my favourite areas of the exhibition which made me feel calm. 

  • Jaz03, The colours in the room make me feel calm and excited, Jaz
    The colours in the room make me feel calm and excited, Jaz

  • Jaz02, I like doing this as it makes me feel calm and I like water, Jaz
    I like doing this as it makes me feel calm and I like water, Jaz

  • Jaz01, This is my favourite colour, Jaz
    This is my favourite colour, Jaz

  • Jaz04, I am standing between the coloured arches because it looks nice, Jaz
    I am standing between the coloured arches because it looks nice, Jaz

  • Jaz05, The red colour gave me blurry eyes, Jaz
    The red colour gave me blurry eyes, Jaz

  • Jaz06, The green colour reminds me of being in the garden, Jaz
    The green colour reminds me of being in the garden, Jaz

By showing what I like about the exhibition, I hope other people will want to visit – it’s both exciting and calming. Even though it’s mainly for children, the exhibition still makes a 23-year-old like myself feel calm. 

Think Pink

Time for perhaps the most divisive of the colours. We take a look at Pink.

How did pink get its name?

We are used to thinking about pink as a colour in its own right, but it is a paler shade of red and as such is the only hue we’re covering in this series.

The word pink was first used related to colour around the 1680s prompted by a type of Dianthus flower known as pinks. These flowers got their name due to their frilly edges, which was known as pynken in Middle English – finishing an edge of cloth with a patterned, cut or scalloped effect, as is done with pinking shears.

  • Dianthus-plumarius - pinks, Pinks or Dianthus-plumarius, Sten CC BY SA 3.0
    Pinks or Dianthus-plumarius, Sten CC BY SA 3.0

In Europe, pink is often referred to as rose relating it closely to another type of flower, and going back to Homer’s “Rosy-fingered dawn” in the Odyssey.

In nature

Pink is very common in nature, mainly in flowers although lots of other species sport the colour. Bright, vibrant colours attract insects and pollinators which are crucial to plants fertilising, or in the case of fruits like raspberries or strawberries, may offer great opportunities for seed dispersal when eaten. Their pigment comes from anthocyanins which are pigments that can appear to be shades of red, purple or blue.

  • Roses in the Horniman Gardens, Roses in the Horniman Gardens, Connie Churcher
    Roses in the Horniman Gardens, Connie Churcher

There are lots of pink animals too. From flamingos to dolphins, pigs to moths. Some animals get their colour from a diet rich in carotenoids, which we looked at in our yellow blog. Other animals, like pigs, have been selectively bred this way or use it as part of their rich plumage like hummingbirds.

  • Elephant hawk moth from our collections, An elephant hawk moth from our collections
    An elephant hawk moth from our collections

There are several pink minerals, including rose quartz, rhodochrosite, and pink topaz. There are rare pink beaches, coloured by years of coral erosion, and pink brick or sandstone buildings can be seen from India to Argentina.

Popular and powerful

According to a study by Eva Heller in 2009, pink is most closely associated with sensitivity, childhood, femininity, sweetness, and romance, in Europe and the US. The association with pink as feminine stems from just before World War I but didn’t become established until the 1940s and the baby boomer generation. Previously, boys were pictured in pink because red was associated with activity and aggression, and pink was a hue of red, deemed to be a stronger colour compared to blue.

Commerce has had a role to play in pink or blue being associated with gender.

In the past, lots of clothes were white, as these could be bleached easily when stained or dirty, and white was (and still is) associated with innocence, particularly in children's clothes. By pushing consumers towards a new colour code for children, shops could sell more products as you would buy different clothes for boys and girls, rather than reusing clothes multiple times across families or generations. Toys aimed at girls featuring pink packaging is also a more recent trend, coming into prominence in the 1980s and 1990s.

  • Gendered toys, An aisle of pink toys, Josh Puetz via CC BY-NC 2.0
    An aisle of pink toys, Josh Puetz via CC BY-NC 2.0

Although is it not uncommon to see men wearing pink, it is still not very popular with men. Only 1% of men would choose it as their favourite and only 7% of women.

In Thailand, pink is associated with the day Tuesday, while in France, a reddish-pink is the colour of medicine in academic dress. In Japan, pink is associated with spring because of the cherry blossoms, but it is also the colour of ‘off-colour’ jokes. In China pink is associated with westernisation, and is considered a foreign colour.

Pink is often used as a symbol of sexuality, particularly in LGBTQIA communities and the original pride flag had a pink stripe to represent sex. Women wore pink pussy hats in the 2017 Women’s March. In Japan, erotic movies are called pink films and recently, Janelle Monáe sang about female sexuality in her song Pynk.

Because of the way the colour has been applied to gender, there is some pink backlash, with campaigns like Pinkstinks opposing the ‘pinkification’ of girlhood. ‘Pink tax’ refers to the higher costs paid by women and girls in products from dry cleaning to bicycle helmets.

Pink in the arts

The phrase ‘in the pink’ means being in good health and dates back to the sixteenth century, meaning to be the very pinnacle of something. It is used by Mercutio in Romeo & Juliet (Act 2, Scene 4):

Nay, I am the very pink of courtesy.

Pink was most commonly used for flesh tones of white people in European art, and features as the colour of male infant dress. It really got trucking in the 18th century with Madame de Pompadour, who made pink and blue fashionable colours at the French court, and the hue Rose Pompadour is named for her.

  • Portrait of Marquise de Pompadour, Portrait of Marquise de Pompadour, Francois Boucher (via Wikimedia)
    Portrait of Marquise de Pompadour, Francois Boucher (via Wikimedia)

In the early twentieth century, Elsa Schiaparelli created shocking pink and used it across her designs, lending the name to her perfume. Marilyn Monroe wore a now iconic pink dress when singing that Diamonds are a Girl’s Best Friend, Mr. Pink rallied against the name in Reservoir Dogs and Mean Girls wore pink on Wednesdays.

From Kay Thompson to The Pink Panther, The Psychedelic Furs to Nicki Minaj, pink pops up in music just as much as film, fashion, and art. Listen to our playlist of pink-influenced songs.


Learn more about colour in our family-friendly exhibition, Colour: The Rainbow Revealed.

The green, green colour of the natural world

When leaves are budding and the Gardens are getting green again, what better time to have a look at the colour so closely associated with nature?

It's Only Natural

Green and nature go hand in hand. The colour conjures up growth, freshness, vitality and fertility. In fact, the word green comes from the old English grene, which has the same origins as grass and grow. If you enjoy gardening, you are considered to be ‘green-fingered’ or as having a ‘green-thumb’ due to its dominance in nature. 

For this reason, the colour is closely associated with medicine and healing, but this connection goes beyond symbolism. Studies have shown that green is the most restful colour for the human eye, reducing fatigue, with the wavelength of green overlapping with the area of greatest sensitivity in our eyes.

The biggest contributor to green in nature is chlorophyll, which is a green pigment that helps the plant or algae absorb energy from light (photosynthesis).

Green is a very dominant colour in birds, animals, and insects, as they have adapted to camouflage to their surroundings.

  • NH.27.7-IG, Green is a common colour amongst birds, especially amongst those that live in the rainforest. The green colour allows them to blend in with their surroundings.
    Green is a common colour amongst birds, especially amongst those that live in the rainforest. The green colour allows them to blend in with their surroundings.

Going Green

Green is associated with safety and trust as can be seen in traffic lights and escape signs, although the choice of this colour seems to have been related to it being clearly discernible from red. 

It has associations with vivacity and youth, through its abundance in the natural world, and this association with life, health and growth make it a natural choice for those who want to align themselves with green-focused messaging. Aside from some obvious organisations like Greenpeace and the Green Party, you will also find BP, Starbucks, and Landrover, who want to promote their associations with health and nature.

In terms of public perception, it is an equal choice, with 14% of both sexes choosing it as their favourite colour, although more women identify with green being their least favourite colour (6% to 2% of men).

Green Eyed Monsters?

Most of us know of the association of green with jealousy or envy, but why did this come about? The phrase green-eyed monster may have been coined first by Shakespeare, who uses it in Othello:

Oh, beware, my lord, of jealousy!
It is the green-eyed monster which doth mock
The meat it feeds on.
Iago, Othello, Act 3, scene 3

Green has more than a passing association with the supernatural than the green-eyed monsters of jealousy. Fairies and dragons are often shown as green or wearing green clothing, and green gods are often related to rebirth and spring.

Green Men

Green men (not so much women) appear in lots of different cultures as important figures, whether they are gods, prophets or are integral to celebration.

The Green Man appears to have pagan origins, perhaps connected to ‘wild man of the woods’ figures who, in turn, are linked to satyrs or fauns. Despite this, Green Men frequently appear in church decorations and it is a common name for a pub.

Jack-in-the-Green is another green character from British folklore, who takes part in revels around May Day as a person (traditionally a chimney sweep) is dressed as a 3m tall bushy tree.

  • Jack in the Green, A chimney sweeps' Jack in the Green dances with the "Lord and Lady of the May" (probably both played by men) in 18th-century London.
    A chimney sweeps' Jack in the Green dances with the "Lord and Lady of the May" (probably both played by men) in 18th-century London.

Outside of the UK, Khidr (or al-Khidr) from the Quran is a messenger or prophet dressed in Green, the Egyptian god of the underworld Osiris has green skin because of its links to good health and rebirth, and Tlaloc, and Aztec god of earthly fertility and water, who also had green skin.

Dyes and Pigments

Green pigments that first appear in artwork originate from malachite or from green earth, found around southern Europe. Green dyes are rare, although did use ferns, plantain, nettles, lichen, leeks and others as accessible alternative, but these faded or changed colour quickly. Better dyes could be created by first dying the yarn or garments blue and then yellow, but this was more expensive.

Verdigris, the pigment created through weathered copper or bronze, was first used by the Greeks and is considered the first artificial green. Other green minerals include emerald and cobalt green.

  • statue-of-liberty-267948_1920, The Statue of Liberty owes its green colouration to Verdigris
    The Statue of Liberty owes its green colouration to Verdigris

In Artwork

Green in ancient artwork was closely associated with nature and rebirth, and was seen positively by the ancient Egyptians and the Romans in this regard.

In early modern Europe Green was associated with wealth and well-to-do merchants or gentlemen outside of the nobility, which had an association with red. Paintings like the Mona Lisa and the Arnolfini Portrait are good examples of this.

  • Van_Eyck_-_Arnolfini_Portrait, The Arnolfini Portrait features a woman in a green dress which at the time would have been a symbol of this family's position in the merchant classes
    The Arnolfini Portrait features a woman in a green dress which at the time would have been a symbol of this family's position in the merchant classes

This aligns with the modern association with money, which comes from the colour green in US dollar bills which was originally chosen to deter counterfitters.

In the 18th and 19th century the advent on new synthetic pigments saw a greater uptake of the colour, particularly by the romantic movement.

I sought to express with red and green the terrible human passions. The hall is blood red and pale yellow, with a green billiard table in the center, and four lamps of lemon yellow, with rays of orange and green. Everywhere it is a battle and antithesis of the most different reds and greens.
1888, Van Gogh about The Night Cafe

Learn more about green in our exhibition – Colour: The Rainbow Revealed

The many sides of yellow

What comes to mind when you think of yellow. The sun? Spongebob? Lemons?

The colour yellow is all around us, in our food, our clothes, our waste. As most kids can tell you, it is a secondary colour, created by mixing red and green.

It is considered a cheerful colour – conjuring up images of sunflowers, buttercups and sunny days. However it is also closely associated sickliness and cowardice. In China, it is associated with pornography, while in Russia it has associations with mental illness.

We look into the multi-faceted nature of yellow.

So what makes things yellow?

There are a few origins.

Carotenoids are pigments that create bright colours like yellow (as well as orange and red) in foods. You find them in organic material like plants, bacteria and algae, and they play a really important role in absorbing light for photosynthesis, and protecting chlorophyll in a plant. Carotenoids are behind the yellow of lemons, autumn leaves, egg yolks, daffodils and much more.

  • Yellow blog, A daffodil which contains carotenoid
    A daffodil which contains carotenoid

There are quite a few different minerals behind yellow pigments in paint, but one of the oldest found used in art is yellow ochre.

In fact, yellow was one of the first colours ever used in art, as ochre (a mix of ferric oxide, clay and sand) was very accessible and could be found in many places all over the world.

Engraved ochre was found in the Blombos Cave in South Africa that dates from around 75,000 years ago. A bit closer to home, ochre has been found in paintings of animals in French caves  from 25,000 years ago, and in Spain, from around 15-16,000 BC.

  • Yellow blog, An Ancient Egyptian coffin cover painted with yellow ochre
    An Ancient Egyptian coffin cover painted with yellow ochre

But ochre is not confined to history. If you are wondering if yellow ochre is used in any of your paints, have a look for PY-43 on the label.

Yellow dyes were about as widely available as ochre, and the colour can be taken from saffron, safflower, gorse bushes, as well as the bark of the Eastern black oak and Dyer’s mulberry. Find out more about yellow dyes in our Dye Garden.

  • Yellow blog, A Gorse bush in our Dye Garden
    A Gorse bush in our Dye Garden

What do we think of the colour?

It is a vibrant colour that is used to create an emotional or energetic response.

Yellow is thought to increase cheerfulness and optimism when used in marketing, but can apparently make babies cry.

That emotional energy makes it an ideal colour to draw in shoppers and prompt impulse activity. There is a reason why it is the colour of choice for fast food outlets like Burger King and McDonalds, stores like Ikea and toy companies like Play-doh and Nerf.

However, when it comes to picking our favourite, the colour yellow falls very low for both men and women gaining only 1% and 3% of responses respectively.

Sickness or royalty?

This lack of love for yellow may have something to do its association with illness and disease. Yellow is the colour of jaundice, pus and bile, and it has associations with cholera, which shares etymological routes (Khloros). Bruises turn yellow and no one wants to get Yellow Fever.

Yellow had negative associations in the Middle Ages, when repentant cathars were forced to wear yellow crosses on their clothes. Hundreds of years later, Jewish people persecuted by the Nazis had to wear a yellow star on clothes or display the sign on their houses. Heretics were forced to wear yellow during the Spanish Inquisition.

  • Yellow blog, Yellow badge made mandatory by the Nazis in France, kitkatcrazy thanks to Wikimedia Creative Commons
    Yellow badge made mandatory by the Nazis in France, kitkatcrazy thanks to Wikimedia Creative Commons

In the late 18th century the phrase yellow-belly was first identified as a derogatory term, as set out in Grose’s A provincial glossary (1787):

Yellow bellies. This is an appellation given to persons born in the Fens, who, it is jocularly said, have yellow bellies, like their eels.

But despite all this, we prize gold which is of a yellowish hue.

Yellow was associated with gold in Ancient Egypt. The bones of gods were believed to be made of gold, enforcing the belief that it was eternal and indestructible.

It was also associated with the Pope in the early days of the Christian church and royal yellow is the colour of the robes of the Emperors of China, because of its links to the sun. Jing Han writes,

Just as there cannot be two suns in the sky, there cannot be two emperors in a nation. Thus from then on, yellow was regarded as the costume colour used exclusively by emperors.

Ribbons, roses, a submarine and a big yellow taxi

Lots of other musicians have featured yellow in their songs.

Tie a Yellow Ribbon Round the Ole Oak Tree sung by Dawn featuring Tony Orlando is about signalling that a prisoner of war is still welcome by his sweetheart when he arrives back home. Songs or poems with similar themes crop up from early in the 1900s, but the first copyrighted version was in 1917 by George A. Norton, which he titled Round Her Neck She Wears a Yeller Ribbon (For Her Lover Who Is Far, Far Away).

The yellow ribbon gained popularity in the US during the Gulf War as a way of supporting troops, and are still displayed in some towns and cities on this basis today. Yellow ribbons are still identified with POWs in Italy and Kuwait. 

  • Yellow blog, A yellow ribbon
    A yellow ribbon

Two famously yellow songs, Mellow Yellow and Yellow Submarine are linked, as Paul McCartney is one of the people heard in the background of the Donovan track, and Donovan helped McCartney with the lyrics for Yellow Submarine.

Listen to these and some other famous tracks associated with the colour yellow.

Both China and Vietnam had music genres called yellow music, both with separate origins.

In China, yellow music or songs described early popular music between the 1920s to 1940s, as a reference to pronography, and this term was used up until the Cultural Revolution.

It also referred to music created in South Vietnam during the Vietnam War, as opposed to red music from the North. The content of the songs were considered “decadent” and were banned in 1975.

Liked reading about yellow? Find out about the colour blue in our earlier post and stayed tuned for more colours throughout the year.

What’s in a colour? Blue

As part of our exhibition Colour: The Rainbow Revealed we will be learning about a colour each month.

First up, one of the primary colours: Blue.

Top choice

Blue is one of the most popular colours in the spectrum. It comes out on top as the most preferred colour for both men and women across many countries. This could be because we see it in blue skies and clear water.

This relationship to the sky and sea gives blue an association with calming and soothing environments in our homes, where it prompts feelings of dependability.

  • The blue sky with our Totem Pole, We see blue daily, whether it is a blue sky or water. Our Totem Pole against a blue sky
    We see blue daily, whether it is a blue sky or water. Our Totem Pole against a blue sky

In business and marketing the colour blue engenders a sense of security and trust. You will often see it associated with medical (Blue Cross, Oral B) or tech companies (Facebook, Twitter, IBM).

Both of these sectors depend on customer confidence in the ability of the company to look after their wellbeing or their records, so blue branding is a subtle nod to this. However, you will start to notice lots of other brands which rely on the trust of their customers use it in their logos.

More recently, Blue has come to mean something else in modern society – a link. Blue is the predominant colour for hyperlinks in documents and online.

Feeling blue

It is quite strange that, despite blue’s associated with dependability, this colour is closely associated with sadness. There are blue notes in music, often played in blues songs which evoke feelings of melancholy harking back to the origin of the blues in the US Deep South. 

This is the first commercial recording of vocal blues by an African-American singer: Mamie Smith's performance of Perry Bradford's "Crazy Blues" in 1920:

Some people think the association of blue with sadness came from ships showing blue colours when the Captain or officers were lost during the voyage.

Washington Irving is credited with first using the term “the blues” in 1807, as a synonym for sadness. He was shortening the phrase “blue devils” which was a synonym to describe a menacing presence or a hangover.

Creating blue

Blue has placed an important role in our society as a pigment.

Blue pigments were created from azurite and Lapis lazuli. It was an expensive colour to create, due to scarcity of the mineral deposits, so it is no surprise that you will frequently see it used in older artwork relating to those of high status in Europe, such religious paintings (think the Virgin Mary’s scarf) or stained glass windows, while cobalt blue has long featured in the Middle East and Chinese porcelain.

  • Azurite, A sample of the mineral Azurite, Rob Lavinsky iRocks.com
    A sample of the mineral Azurite, Rob Lavinsky iRocks.com

The first official blue synthetic pigment came from Egypt in the form of calcium copper silicate. The earliest evidence is from around 3250 BC.

Before synthetic blues were developed, plants True Indigo (Indigofera tinctoria) and Woad (Isatis tinctoria) were used to make blue dye for clothing, dating back at least 4,000 years.

The Indigo plant has also been used for food colouring, although many manufacturers have now switched to using spirulina. If you are wearing jeans, you are likely to be wearing indigo now.

You can see some of the plants used to make blue dyes in our Dye Garden.

Blue in nature

While we think of ourselves as being surrounded by blue in nature, with the sea and sky, there is far less when it comes to animals.

The blue you see in animals (particularly mammals and insects) comes often from the structure of their feather or scales, rather than a pigment.

When you think of the blue in a peacock feather, or on our Blue Morpho butterflies in the Butterfly House, the structure of the scale or feather has been created so that it absorbs all other colours, leaving you with the blue light reflected, which is why there is an iridescence when they move.

  • Blue Morpho butterflies, Blue Morpho butterflies from our Natural History Collection
    Blue Morpho butterflies from our Natural History Collection

Joe Hanson explains this really well in his series Its ok to be smart.

When it comes to plants and flowers, there are more blues that you would see in animals, but less than 10 percent of the 280,000 species of flowering plants produce blue flowers, and blue foliage is very rare.

Found these facts about blue interesting? Learn more about colour in our exhibition Colour: The Rainbow Revealed.

A Horniman Rainbow Flag

February is LGBT History Month and as we have just opened our new exhibition Colour: The Rainbow Revealed, what better time to look at the Rainbow Flag, which has been a symbol of LGBTQI pride since the 1970s.

The Rainbow Flag is celebrating its 40th anniversary this year. The flag was originally created by artist Gilbert Baker in the 1970s. Baker had been tasked by Harvey Milk to create a symbol of pride for the gay community and the original flag flew in the San Francisco Gay Freedom Day parade in June 1978.

“Flags are about power,” Baker told ABC in 2017, “Flags say something. You put a rainbow flag on your windshield, you’re saying something.”

This original flag contained eight colours but was modified to six in 1979, and we have used this six-colour flag to create our own rainbow from our collections.

Red

The red stripe in the flag symbolises life and the colour evokes blood – a symbol of life. As a colour it is at the end of the visible light spectrum which is why it is the first colour in the rainbow.

This is a wax seal from the mid-1800s. Wax seals are still commonly used to secure the padlocked doors and gates of important cabinets, offices and buildings in India and Pakistan. The inscription gives the name Narsinghadev, an official of an 'emperor' Bhagvant Singha, and dates that are equivalent to AD 1838-39 and 1859-60. 

Orange

The orange stripe represents healing. Orange is considered to be a friendly, cheerful colour combining the energy of red and the happiness of yellow.

This is a clownfish from our Aquarium. Most anemonefish are protandrous hermaphrodites, meaning they alternate between the male and female sexes at some point in their lives.

Yellow

The yellow represents sunlight. It is a warm colour and the association with the sun evokes feelings of optimism and clarity.

This is a painted, carved wooden mask of 'El Tigre' from Mexico and is part of our Handling Collection.

Green

The green represents nature, which is natural when green are the colours we associate with spring, growing and life.

Unsurprisingly we’ve gone outside to the Gardens for this part of our flag for a picture from a sunny day under the trees.

Blue

The blue stripe represents serenity, harmony or peace. Blue is used commonly by brands to evoke trust, as it is the most popular colour for both men and women.

We’ve gone for a Blue Morpho for this part of the flag, because they are just stunning. This specimen is part of our Natural History Collection, but you can also see them in our Butterfly House.

Violet

The final stripe at the opposite end of the light spectrum is violet which represents spirit. According to surveys in Europe and the United States, violet is most often associated with extravagance, individualism and the unconventional, which aligns with spirit well.

This circular embroidered fan case came from China in the early 1900s. It is decorated with an embroidered scene of a young woman dressed in blue in a boat surrounded by lilies. Beside her is an overhanging willow and a bird, probably a crane, flying overhead.

There you have it, a Horniman version of the Rainbow Flag.

As Baker said,

I like to think of those as elements as [being] in every person; everybody shares that.

British Wildlife Photography Awards 2017 - Your Winner

You voted for your favourite photo in our British Wildlife Photography of the Year Exhibition and now we can reveal the winner of the public vote.

Sadly our exhibition of the British Wildlife Photography Awards 2017 has now come to an end but we're delighted to say it proved incredibly popular.

Although the gongs had been handed out before our exhibition opened, visitors were given the chance to vote for their own winners and leave their comments.

Clearly, the breadth of talent and photography impressed our visitors as competition was fierce, but we are delighted to say we can now announce the three most popular photographs from our exhibition...

*drumroll*

In third place, Grumpy Mountain Hare by David Walker

  • Grumpy Mountain Hare, 'Grumpy Mountain Hare', Dan Walker
    'Grumpy Mountain Hare', Dan Walker

In second place, Balancing Act by Ian Watson

  • 02.24_PORTRAITS_P_609.6_x_406, 'Balancing Act', Ian Watson
    'Balancing Act', Ian Watson

And your Horniman public vote winner is, Peeking Red Fox Cub by Luke Wilkinson

  • Red Fox Cub, Peeking Red Fox Cub, Luke Wilkinson
    Peeking Red Fox Cub, Luke Wilkinson

Congratulations to Luke, whose shot of this young cub was clearly too cute for our visitors to ignore.

You can read more about wildlife photography in our interviews with the photographers from this exhibition on our blog

About the Art: Mark Thomas

As our blog series highlighting the work of photographers featured in the British Wildlife Photography Awards comes to a close, Mark Thomas tells us why diving with seals can create some unforgettable moments.

Can you tell us the story behind your photo in this exhibition?

The Farne Islands have one of the largest populations of grey seals in the UK with hundreds of pups born each autumn. Diving with these beautiful, gentle creatures is one of the highlights of UK diving. The pups will sometimes approach divers, nibbling on fins, mask straps, and camera gear. Diving with seals can be hit and miss - on occasions the seals keep their distance and watch the strange, cumbersome, bubble-blowing creatures from afar. When you encounter a particularly inquisitive pup, however, the experience is unforgettable and results can be spectacular.

  • OpenWide, 'Open Wide' by Mark Thomas which features in the 'Behaviour' category at this year's British Wildlife Photography Awards, Mark Thomas
    'Open Wide' by Mark Thomas which features in the 'Behaviour' category at this year's British Wildlife Photography Awards, Mark Thomas

How did you go about getting that shot?

I took this photo on a dive club trip to the Farne Islands in May 2017. The pup was one of a trio who joined us in a shallow bay - the other two kept their distance and can be seen in the background. This individual was especially bold, swimming alongside and mouthing the camera housing - perhaps seeing its reflection in the dome port.

Did you use any particular equipment or software?

I was using a Nikon D3 with a 15mm fisheye lens, in a Sea & Sea underwater housing, with twin strobes. I use Photoshop to process the RAW images.

  • Grey_seal_pup_FarneIslands, Mark Thomas
    , Mark Thomas

What are your favourite scenes, species or motivations behind your photographs?

The bulk of my diving is around UK and Ireland - especially Connemara in the west of Ireland, the west coast of Scotland, and North Wales. I have dived further afield, including around the Galapagos Islands, Revillagigado Islands, and Sulawesi Islands, but the thought of lugging expensive, heavy kit on long-haul flights puts me off.

What are the difficulties of wildlife and nature photography that you face?

Diving in the UK and Ireland is often quite challenging - bad weather, tides, and poor visibility together with cold water add to the difficulties for the underwater photographer. Despite this, it is well worth the effort - with wonderful underwater scenery, wrecks and a rich diversity of colourful and strange marine life. Non-divers are constantly amazed at what can be found a few metres beneath our seas and it is a pleasure to be able to showcase the sights we see underwater. 

  • Corkwing-wrasse_Connemara, Mark Thomas
    , Mark Thomas

How long have you been a photographer and how did you get started?

Photography has been a hobby since my teenage years, when a summer job enabled me to buy my first camera - the Pentax ME Super. Rugby was my passion for over 30 years but once the knees gave out I decided to take up a long-standing ambition to dive and in 1998 I joined the local dive club in Northwich - Hartford SAC. Several talented photographers in the club encouraged my interest in underwater photography and in 2002 I bought a secondhand Nikon F90 film camera and housing before joining the digital revolution a few years later. 

  • Lumpsucker_MenaiStraits, Mark Thomas
    , Mark Thomas

What would you advise someone wanting to start taking photos of wildlife or nature in their local environment?

Underwater photographers should be comfortable in their diving, with good buoyancy control and a healthy regard for the underwater environment.

What projects are you working on now or have coming up?

In the winter months, diving is usually restricted to freshwater quarries and rivers, and recently Liverpool docks. These dives are useful for keeping skill levels up and practising techniques. Again, people are surprised at what can be found in these underwater environments. Next year there are plans to dive in  Donegal and Connemara in Ireland, the Scottish lochs, and the Farne Islands.

  • mauve_stinger_Connemara, Mark Thomas
    , Mark Thomas

About the Art: Phillip Price

As part of our ongoing blog series on the work of photographers featured in our exhibition of the British Wildlife Photography Awards, Phillip Price tells us about how he hopes his photography work will make the case for a wilder Scotland.

Can you tell us the story behind your photo in this exhibition?

I am a photographer for Scotland: The Big Picture and beavers are one of our key species to highlight the benefits of having a wilder Scotland. As a result I spend a long time with this animal trying to showcase the huge benefits they can have to our ecology and society. People perceive bracken as a nuisance, to find out that beavers eat it, means there is another wonderful reason to make space for beavers in our landscape.

  • Beaver Bracken Eater, 'Beaver Bracken Eater' which appears in the 'Behaviour' category in this year's British Wildlife Photography Awards., Phillip Price
    'Beaver Bracken Eater' which appears in the 'Behaviour' category in this year's British Wildlife Photography Awards., Phillip Price

How did you go about getting that shot?

I was running one of my Beaver photography workshops when I saw an island float down from the far end of the loch. It was luminous green and was moving quicker than the current, eventually, the penny dropped that the floating island was in fact a beaver carrying an enormous mouthful of bracken. The client and I then ran to a safe position at the loch's edge in line with where it was heading, got down to eye level to the water and waited. The Beaver eventually swam past enabling a handful of shots to be taken with this being the best. We were both elated and knackered as beavers swim much quicker than they look capable of.

How long did you have to wait for this shot?

The evening workshop was around four hours and this happened right at the end, but I have been waiting to get a shot like this for Scotland: The Big Picture for two years so a fair amount of time in the field.

Did you use any particular equipment or software?

Canon 6d and 500mm f4 lens, Adobe Lightroom to process raw file

  • Phillip Price 2, Phillip Price
    , Phillip Price

What are your favourite scenes, species, or motivations behind your photographs?

All the motivation now is to see Scotlands' wildlife and ecology improve, it is the only reason I do what I do. Through the project Scotland: The Big Picture we aim to use our images to argue the case for a much wilder and richer use of our landscape. To do away with unhealthy mono-cultures and towards a much richer and diverse spread of species and habitats. As a result, my favourite locations and animals are linked to this ideal, sea eagles soaring over a great coastal oak forest and Otters swimming below the limbs of an ancient temperate rainforest. I tend to run all my workshops in these mind-blowing locations and hope to help create more.

  • Phillip Price 6, Phillip Price
    , Phillip Price

What are the difficulties of wildlife and nature photography that you face?

The huge damage caused to and disregard of the natural world by our decision makers and some businesses, this is by far the biggest challenge to taking great nature shots in the UK.

What would you like people to think about when they see your work?

How exciting and amazing the natural world is and how much fun it can be and hence we need more of it.

How long have you been a photographer and how did you get started?

12 years ago. I started in a studio photographing people then quickly moved into wildlife 11 years ago, which is when I started my guiding and photography workshop business Loch Visions.

  • Phillip Price 5, Phillip Price
    , Phillip Price

What would you advise someone wanting to start taking photos of wildlife or nature in their local environment?

Local is the key. Start with a project of spiders in your garden or squirrels at the park. Understand your subject, spend time and you will reap the rewards.

What projects are you working on now or have coming up?

Sea Eagles for Scotland: The Big Picture is my main freelance job at the moment. My brief is to showcase the huge benefits these animals are bringing to rural communities and also show the solutions to some of the perceived difficulties.
I am also in the middle of setting up a wildlife photography 'park' idea for all my workshops, set in temperate rainforest on the west coast of Scotland which is very exciting

  • Phillip Price 3, Phillip Price
    , Phillip Price

About the Art: Lucien Harris

We spoke to Lucien Harris as part of our blog series looking at the work of photographers featured in our British Wildlife Photography Awards exhibition. 

Can you tell us the story behind your photo in this exhibition?

I was walking through a field in Cornwall and I spotted a dead tree. I noticed there were tiny boreholes all over it and wondered what had made them. After a while, I noticed a tiny wasp land and crawl inside. Luckily, I had my camera with me and I thought I'd wait for it to re-emerge so I could get a clear photo of its face. After a while it did and it just sat looking at me for just enough time to get the shot.

  • Wasp you looking at, 'Wasp You Looking At?' which appears in the 'Hidden Britain' category of this year's British Wildlife Photography Awards, Lucien Harris
    'Wasp You Looking At?' which appears in the 'Hidden Britain' category of this year's British Wildlife Photography Awards, Lucien Harris

How did you go about getting that shot?

I didn’t have a tripod so I used twin flashes with diffusers I made in order to light up the scene.

How long did you have to wait for this shot?

I waited around 20 minutes.

Did you use any particular equipment or software?

I used a 105mm macro lens with a 1.4 teleconverter and two twin flashes with homemade light diffusers.

What are your favourite scenes, species, or motivations behind your photographs?

I love capturing the unseen as there are so many minibeasts that not many people get the chance to see.

What are the difficulties of wildlife and nature photography that you face?

Timing and weather, especially the wind. A slight breeze can turn a good shot into a blurry mess very quickly.

What would you like people to think about when they see your work?

About the diversity of British wildlife and how we can keep it all safe for future generations.

How long have you been a photographer and how did you get started?

I've been a photographer for 10 years. I started off shooting photos of skateboarding but when I went travelling I noticed all the amazing wildlife and really wanted to capture it for memories when I got home.

What would you advise someone wanting to start taking photos of wildlife or nature in their local environment?

It doesn’t matter about equipment. Just be patient and concentrate on the composure of the photograph

What projects are you working on now or have coming up?

I'm working on a calendar of British bugs which involves local illustrators as well.

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