You may have noticed that our famous Merman now has a new home. You can find him in his own case at the back of our Natural History Gallery.
The Merman used to be displayed in our Centenary Gallery. The Centenary Gallery closed last month as we began our exciting anthropology redisplay project. We have been decanting all the objects on display in the Centenary Gallery and taking them to our stores, where they will be processed by our Collections Team.
You can see a video of some of the team decanting some of the objects from our Centenary Gallery here.
Our Senior Workshop Technician, Alistair MacKillop, tells us how they created a new case for the Merman.
‘The Workshop were asked by the Learning Team to place objects from the Centenary and African Worlds Galleries in cases around the Museum so that schools could still follow trails and find these objects.
We thought the old vivarium case, at the back of the Natural History Gallery, would be a good place to house the Egyptian artefacts, as it had lighting already installed.
Artefacts from Ancient Egypt, including this mummified crocodile, can be found in their temporary home at the end of the Natural History Gallery near the Merman.
The problem was, it was still full of tanks and pipes where our lizards and snakes use to live. So we set to work clearing the case and building an insert case in the same style as the cases we had already designed for the Natural History entrance redisplay.
The redisplay at the entrance to the Natural History Gallery was the inspiration for the new case display for the Merman.
It was such a success that when we were asked to think about the relocation of the Merman, it seemed a great opportunity to use the other end of that case. We wanted to make sure the Merman looked special, and by creating an aperture into a small case in a matching style to the Egyptian end, I think we achieved our goal.
The Merman had been out with our ‘Object in Focus’ outreach scheme not so long ago, so it seemed like a good idea to use the mount created by my former colleague Rebecca Ash. The mount consists of brass bar that has been brazed together with silver solder, the mountmaker works directly with a conservator to determine the best shape to give support to the object. The Merman has a very unusual balance point and is also very fragile. Of course, the mountmaker’s art is to then design a way for the mount not to be seen or be too obvious to the viewer.
This mount was filed and sand-blasted to remove any sharp edges. Then sprayed grey, we apply a sticky backed conservation felt that we call ‘Fluffy’, to any surface of the mount that touches the object, this prevents any rubbing and gives a comfy fit to the object.
I attached the mount to a painted plinth which can be moved on top of the case plinth, so we could find the best spot for the lighting and the balance of the finished look of the case.’
Our Exhibitions Officer, Lindsey, gathered together information and research about the Merman and edited the text for our graphic panel, which was then designed and produced by our Graphic Designer, Stew.
We think the Merman looks great in his new temporary home at the end of the Natural History Gallery. Pop by for a visit and say hello.