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The Redstart Arts Horniman project

Redstart Arts use a room at the Horniman once a month for a creative workshop. Their artist leader, Cash Aspeek, took part in our Community Worker Training Day and used what she had learnt to devise her own project at the museum for the group. Cash tells us what they have been doing.

The Horniman project was inspired by both natural figures and by ancient pieces of artwork found in the Horniman. Over a period of five sessions the Redstart Arts produced a series of figurative sculptures made from found materials that were neither human nor animal but a hybrid of the two.

My approach is to encourage the Redstarts to explore their own creativity rather than create a series of uniformed work. Thus, each of the works produced reflects the personality of its maker.

The structure of the sessions I run is similar each time. The members greet each other at the beginning by standing in a circle and creating a sign for their name, not Makaton but a sign or action of each individual’s choice. The group then copies the sign. This way of starting energises the group and creates a light environment in which the Redstarts are at ease.

The session then involves brief discussion about the journey they are on, looking at previous work and thinking about the next steps. I use a visual time plan to mark out steps and note opinions.

The starting point for the Horniman project began with the Redstarts immersing themselves into the gallery space. The Redstarts produced observational studies of pieces they found of interest in the galleries and then went on to realise their figurative sculptures through plaster bandage.

The Redstarts then set about exploring textures; they discussed how some animals are covered in fur whilst others have feathers or scales and that humans have skin. The Redstarts were very keen to explore the galleries using the collections as inspiration for the ‘skin’ for their figure.

One Redstart was fascinated by the scales of a Pangolin and so covered his figure in small pieces of grey rubber, each piece overlapped to form a scale like texture. 

Another Redstart covered his figure in compost and then carefully hammered nails into it after he was inspired by a Nkondi figure. 

Furthermore one of the Redstarts rather than covering her figure decided to use a black pen to meticulously cover her figure in drawings, she particularly enjoyed drawing from observation within the gallery.

Each Redstart produced a figure that was very representative of their personalities, likes and dislikes. They enjoyed the freedom of exploration and creativity that they were given. This was poignant for each Redstart, as they seemed extremely proud and happy of the work they produced. 

You can find out more about Redstart Arts on their website.